Nicholas Gambaroff in the Peres Projects booth at the Independent Art Fair 2014 (at Independent)
Kim Tschang-Yeul (Korean, b. 1929), 1 à 10 Gouttes - No. 6, 1977. Oil on hemp cloth, 50 x 50 cm.
Asger Jorn, The Disquieting Duckling (Le canard inquiétant), 1959, Oil on canvas, modification, 53 x 64,5, Museum Jorn, Silkeborg
Part of the exhibition, Asgar Jorn: Restless Rebel, February 28 - June 1, 2014 at the National Museum of Denmark
Michael DeLucia at Nathalie Obadia
WE SHALL NOT DISAPPEAR
Sebastian Mlynarski’s new video for "We Shall Not Disappear" by MAYa will leave your mouth watering.
Jonathan Baldock, 'The Rites of Spring (i & ii)', 2013 – Glazed ceramic, cotton, invisible thread, wooden stretcher – 40 x 60 cm (each)
Exhibition Jonathan Baldock: Hot Spots, Curated by Tobin Gibson, 11.01.2014 - 15.02.2014 at The Apartment gallery, Vancouver, British Columbia, Canada
These latest sculptures by New York-based artist Amy Brener are something magical. Made of a combination of materials like resin, pigment, and glass (Brener describes these as “totemic structures…of an imagined future,”) these objects combine natural and artificial aesthetics to create something familiar yet strangely distant from a what we know. As the artist describes:
“Some sculptures may be markers for an unknown border, while others hint at vehicular function. Some surfaces are ordered into compositions that allude to touch-screen platforms, energy cells and the digital logic of a different reality. Other surfaces are left to chance: to crystallize, crack under pressure and weather with time. Common sculpture materials such as resin and concrete shed their associations and morph into geological forms. I enforce approximations of natural processes onto my sculptures. Notions of sedimentation, erosion and fossilization come into play.”
- Erin Saunders
Carl and His Rocks From Hell
Acrylic and oil on canvas
"If you could give one piece of advice to other kids, what would it be?"
"God is real and he can do miracles."